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This time for my practice in this area of woodland, I decided to use both cameras (digital and analogue) For the digital photographs, see blog post Guiting Wood (digital) 25.11.25 I wanted to go straight from the ‘settling in’ period with my digital camera and into my more immersive practice with the Mamiya. (this shouldn’t necessarily suggest I don’t operate mindfully with my digital, but that I am more so when I get to use my analogue, having familiarised myself with the environment)
This area of the wood is very quiet. There is an old collapsing building with the remnants of agricultural machinery gradually being consumed by the landscape. There are some eerie looking foundation stones from what I assume would have been an old agricultural barn, although I can’t find any reference to it to confirm. They really resemble gravestones in the way they all face the same way and lean as the ground gives way to them. Given their position, I wonder how long the trees have been there and which came first. I remember coming here many times as a child and I remember it being almost exactly as it is now.
Having already photographed the area with my other camera, I moved from location to location (all within 50 metres) with my camera on a tripod and positioned it for a while before taking a photograph. I spent time in the space, thinking and feeling my surroundings. Many times I didn’t take a photo, instead choosing to relocate.
My most successful photograph is the one shown below. I felt as though I was part of the landscape at this point, I was surrounded by it as I nestled in to the bank of the pond and just sat there a while. The corvids above were raucous but befitting. The moment was only broken by the sound of a small plane going over me above. I like that there is so much going on in this photograph, the scene is framed by the trees and the fallen branch in the water in the distance helps to anchor the image. The reflections in the water create some ambiguity which I always favour.
